In June 1844, landscape painter Russell Smith traveled from Philadelphia to Virginia on a hot, dusty train to meet up with geologist William Barton Rogers, a professor of natural philosophy at the University of Virginia. Smith joined Rogers to work as an illustrator for the next phase of the Geological Survey of Virginia, which studied and mapped the commonwealth’s mineral resources. What emerged from that friendship is the subject of a new exhibition now open in the First Floor Gallery of UVA’s Albert and Shirley Small Special Collections Library.
A recent photo of the main library under renovation, viewed from the northwest. Here, the new clerestory can be seen on the roof, and construction is underway on the stairs and terrace that will lead to the new north entrance to the building. (Photo by Skanska)
The University of Virginia Library is pleased to announce that its main library renovation project that began in early 2020 is set to be completed by the end of the fall 2023 semester. The renovation will bring the building up to current standards of safety, accessibility, and service and result in beautiful, naturally lit study and research spaces.
Guest post by Amy Hunsaker, Music & Performing Arts Librarian
It’s time to celebrate Latinx authors during Hispanic Heritage Month, which overlaps September and the first few weeks of October. Don’t know where to start? This year, we’ve gathered a list of five Latinx authors whose works we recommend reading. Take a look below.
A new exhibition now open in the First Floor Gallery of UVA’s Harrison Institute and Small Special Collections Library makes a bold and compelling claim: a portrait long held in the Library’s collections has for nearly a century been misidentified and is now believed to be the most accurate image of the poet Percy Bysshe Shelley in existence. Arranged to appear almost like an evidence board on a detective show, the exhibition calls on the viewer to look with their own eyes, asking, “What do you see?”
[The exhibition] examines the works in the period of Black artistic and intellectual activity centered in a New York neighborhood. The Harlem Renaissance began in the early 1900s as racist violence and diminishing economic opportunity pushed Black Southerners to head north in a movement known as the Great Migration.
“These young people, like Zora Neale Hurston, Wallace Thurman, Gwendolyn Bennett … their approach was, ‘We’re not going to try to aspire to white person standards. We’re not going to try to aspire to the Black middle-class standard. We’re fine being Black,’” George Riser, chief exhibition curator, said.
Guest post by Holly Robertson, Curator of University Library Exhibitions
One hundred years ago, the artistic and political revolutions of the Harlem Renaissance were in full swing. The unmistakable sounds, images, words, and conventions of the era indelibly shaped American culture.
Students are back on Grounds, classes are in session, and the Library is here to help. As a UVA student, you can use the Library to access books, journals, databases, makerspaces, and media equipment. You can contact a librarian any time of day through the Ask a Librarian portal or explore Library spaces to find a favorite study spot for years to come. And you can meet new friends by joining the Library Student Council, which is holding its first interest meeting of the year this evening, Aug. 28.
It’s been a somewhat quiet summer on Grounds as we await students’ return for the fall semester. Renovations on the main library continue, with the building’s grand opening scheduled for April 2024. And we recently bid adieu to the four panels of the Berlin Wall that have been stationed near the Albert and Shirley Small Special Collections Library since 2014.
Far from Grounds, though, several UVA librarians have appeared in local and national news stories about pressing issues in literary world: book censorship in Virginia school and public libraries, authors concerned about AI technology, and trauma-informed archival practices.
Guest post by Rob Smith, Digital Production Group Project Manager
We offer singular experiences in the UVA Library — for our staff, for our student employees, for scholars near and far, for our patrons, for the communities we connect with and serve, and for others tied to the broad networks of knowledge wrapping around our world. Typically, we do this work and our outreach in unique ways. It’s how we roll.
As case in point, the Digital Production Group (DPG) received a request in the spring semester to scan William Faulkner’s handwritten manuscript of “The Sound and the Fury.” (Handwritten! By William Faulkner!) This is one of many literary treasures we hold in Special Collections. (A detail from “Benjy’s Section” of the manuscript is shown below.)
It’s possible to mistake Ivy Creek Natural Area & Historic River View Farm, located off Earlysville Road in Albemarle County, for simply a nice place to take a hike, with gentle hills, thriving wildlife, and views of the Blue Ridge Mountains. Lisa Shutt, an Associate Professor in UVA’s Carter G. Woodson Institute for African American and African Studies, had taken several walks in the area before she took an interest in a towering white barn near the trailhead.
The University itself also has a noteworthy space to learn more about zines — the Zine Bakery project within the Scholar’s Lab, on the third floor of Shannon Library.
The College and Graduate School of Arts & Sciences at UVA has announced that it will receive a $2.04 million grant from the Mellon Foundation for the Julian Bond Papers Project. The investment will accelerate efforts to digitize, annotate and publish the vast archive of civil rights leader, educator and activist Julian Bond. The manuscript collection is housed at UVA's Albert and Shirley Small Special Collections Library.
A University of Virginia professor enlisted students to document the messages—profane, hopeful, despairing—left on library carrels by previous generations.
