News, announcements, updates, and happenings in the UVA Library

Browsing the Iselin Collection

By Jeff Hill | Thu, 02/15/2024 - 20:24

In 2023, the Library was the grateful recipient of a major gift — a collection of humor and illustration, mainly of social and political satire — from retired attorney Josephine Lea Iselin, a noted collector of illustrated books, prints, manuscripts, and ephemera. The collection, housed in the Albert and Shirley Small Special Collections Library, is relevant to fields ranging from art and literature to political science, history, and media studies, and will find broad use in research, instruction, exhibition, and outreach.

Here, we take a close look at just a few of the more than 900 items in the Iselin Collection of Humor.

An artfully arranged stack of books in fine bindings is surrounded by an open book showing colorful caricature drawing and a single illustration. The illustration, only partially visible, shows a drawing of a cornucopia-like bag in front of a pedestal with a fire atop it. On the pedestal is inscribed “A New Pantheon of Democratic Mythology.”
The Iselin Collection includes 20th-century books of humor and an adjunct sample of 19th- and 20th-century American illustrated fiction, but the centerpiece of the collection is 19th-century English and French material by recognized giants of the genre of satire and caricature. A sampling of the materials (shown here) includes lithographs by the French illustrator Charles Amédée de Noé (Cham), bound books featuring illustrations by British caricaturist George Cruikshank, and “New Pantheon of Democratic Mythology” (1799), in which James Gillray, a major influence on Cruikshank, satirized the Whig politicians of the day.
A black and white drawing shows a two-headed eagle bearing a sword in one hand and carrying a partially clothed man in the other. Above them in the clouds sits a man wearing a plumed hat.
Auguste Desperet was a French lithographer active in the mid-19th century. This dark yet whimsical 1834 drawing, a parody of the Greek myth of Ganymede, transforms the eagle of Zeus into the two-headed eagle of Russia, bearing away Ganymede (King Louis Philippe of France, in short pants) up to the clouds, where Jupiter (Tsar Nicholas I) is waiting.
A hand holds a book open to a colorful illustration of a great commotion: a man in a parlor throws up his hands and runs while others fall over a table or run in behind him. A crowd watches through large windows.
R.S. Surtees’ John Jorrocks, a Cockney English grocer enamored of the sporting life, is one of the great comic characters in British popular literature of the 19th century. “Oh gentlemen! Gentlemen! Here’s a lamentable occurrence!,” an illustration by Henry Thomas Alken from Surtees’ “Jorrocks Jaunts and Jollities” (1869), depicts “Mr. Jorrocks” causing his usual ruckus.
An accordion-folded book, partially unfolded and set on a table to show a number of illustrations purporting to instruct the reader on matters of etiquette.
“Etiquette Illustrated” — an 1848 leporello (a book with alternating accordion or concertina folds) by the English illustrator and cartoonist Thomas Onwhyn. “Etiquette Illustrated” includes 23 pages of satirical sketches instructing the reader how (not) to “conduct oneself in the best society.”
Several books lie on a table, one has a visible title, “No Popery!” An inset shows that book, in which the pages are one long accordion fold, unfolded to show the illustrations within.
Another leporello in the Iselin Collection is “No Popery!: A Protestant Roland for a Popish Oliver” (1850), a fold-out of 23 prints by “Anti Guy” (actually journalist, writer, and illustrator George Augustus Sala). “No Popery!” was published as part of the backlash against the revival of Catholic doctrine in the Church of England. Sala apparently intentionally designed the tract as over the top and perhaps tongue in cheek, referring in his autobiography to the “awfully ominous pictures, threatening Protestant England with the most fearful disasters if the Pope, the Cardinal, and the insidious Puseyites were allowed to have their wicked way.” 
Detail of a row of books in fine bindings on a shelf. The books, with French titles, are by Francoise Fabre, Louis Benoit, André Gill, and Jonathan Swift.
Many of the French titles included in the collection feature fine bindings. Titles seen here include an 1840 satire of the French medical system illustrated by Honoré Daumier; an 1832 satire on Louis Philippe with principal illustrations by J.J. Grandville; “Vingt Années de Paris” (Twenty Years of Paris) by the caricaturist André Gill; and a French edition of a title familiar to many modern readers: Swift’s “Gulliver’s Travels” — all in sumptuous bindings with bands and gilt lettering.
Marbled boards with a label of black with gold gilt frame and lettering next to two illustrated plates, one of which is mostly obscured. The label reads “Sir Frog He Would A Wooing Go,” and the plate that can be plainly seen shows a frog and a mouse drinking together.
Also familiar may be “Sir Frog He Would A Wooing Go,” an adaption of a 16-century Scottish folk song known to many as “Froggie Went a-Courtin.” Shown here are two plates (from a series of six) by British illustrator Edward Hull, along with marbled board folder and gilt label. The plates tell the story of the frog who courted a mouse — the illustration featured here is titled “Pray Mrs. Mouse will you give us some beer, That Froggy and I may make good cheer.”
A stack of 5 gray boxes, with labels affixed to them revealing that they contain materials by the French artist Honoré Daumier.
The Iselin Collection came to UVA in wonderful condition. These prints by Daumier, the prolific French painter, sculptor, and illustrator, arrived in metal-edged archival flat storage boxes, used for prints and oversize material.
A line drawing shows a pastoral scene of a woman attended by consorts reclining amongst sheep while cupids, satyrs, and young men and women frolic all around them.
Gustave Doré was a renowned French printmaker well known for his illustrations of works by writers including Rabelais, Dante, Shakespeare, Cervantes, and Poe. The Iselin Collection includes numerous works by Doré, including “A Pastoral Under Louis XV” — a plate from his comic album of “Folies Gauloises” (Gallic Follies), 1852 or 1859.
A book open to a watercolor drawing of a young woman and an adolescent filling glasses from a small fount framed by a wrought-iron fence.
The collection includes numerous original drawings by the English artists Isaac, Robert, and George Cruikshank. The drawing seen here of two charming figures filling glasses from a picturesque fountain is the work of George Cruikshank, the Victorian caricaturist perhaps most well-known for his illustrations for Dickens’ “Sketches by Boz” and “Oliver Twist,” as well as his collaborations with other authors and his satirical contributions to leading publications of the time.
A book, open to a color page that folds out to show an illustration. The illustration is of a battle fought with horses and cannon.
William Henry Ireland’s “Life of Napoleon Bonaparte” (1822-28), in four volumes, is notable in the Iselin Collection of Humor for being neither satire, caricature, or humor — but it contains 27 fold-out plates engraved by George Cruikshank, of which all but three are colored by hand. The plate shown here, “Napoleon terminating his military carreer, [sic] at the memorable battle of Waterloo,” depicts Napoleon astride a white horse and surrounded by lancers, cannon smoke, and the dying and wounded.
A book open to a black and white drawing of figures representing the symbols of the Zodiac. They are holding hands and apparently circling around the earth.
The full subtitle of caricaturist J.J. Grandville’s 1844 “Un Autre Monde” (Another World) says it all:  Transformations, Visions, Incarnations, Ascensions, Locomotions, Explorations, Peregrinations, Excursions, Vacations, Caprices, Cosmologies, Reveries, Whimsies, Phantasmagorias, Apotheosies, Zoomorphisms, Lithomorphosies, Metamorphoses, and Other Things. The book is page after page of surreal and fantastical art, including this drawing showing the 12 signs of the zodiac dancing the sarabande in the sky.

 

Updates from Alderman: Books in stacks, a new cafe, and more

By Molly Minturn | Thu, 02/15/2024 - 14:57

Good news for bibliophiles: the books in Alderman Library’s fifth-floor stacks are now fully moved in and available to patrons! Browse the shelves to your heart’s content and, when ready, take your selected books to a circulation desk on the second or fourth floors for checkout. (Throughout the renovation, these books were available in Clemons or “by request” through Virgo.)

The fifth floor of Alderman Library features a two filled "stacks" sections of books, as well as clerestory windows and an aperature looking down to the fourth floor below.
The books in Alderman Library's fifth-floor stacks are now fully moved in and available to patrons. (Contributed photo)

Each floor in the main library (aside from the basement and second floor, which do not have stacks) has two stacks locations — Stacks West and Stacks East. The fifth floor stacks books now available are in the Library of Congress Classification subclasses PSZ, including American literature, German literature, Dutch literature, Scandinavian literature, fiction and juvenile belles lettres, bibliography, library science, and information resources.

The book-move-back process in Alderman Library will continue for several months, moving down floor-by-floor (the fourth-floor stacks will be completed next, likely by early March). When book movers are working on a floor, books on that floor will remain “by request” in Virgo and can be requested for delivery. When the movers complete a floor, the items will change to their new, permanent stacks location and become available for on-site checkout. To follow along with the progress of the book move, bookmark our status dashboard.

New cafe open for business

Glass doors are closed in front of a cafe with the Saxbys logo on the doors. A blue sign beside the door lists business hours.
Saxbys is located on the second floor in the northeast corner of Alderman Library. (Contributed photo)

Another exciting update from inside the newly renovated building: the entirely student-run Saxbys is now open on the second floor of Alderman. Serving coffee, smoothies, breakfast all day, and an impressive array of grilled cheese sandwiches, Saxbys is open weekdays and Sundays. Students and staff packed the café during its opening day in Alderman earlier this month, observing a ribbon-cutting ceremony, picking up free swag, high-fiving Cav-Man, and sampling the menu.

In the news

Students study in an ornate room in Alderman Library. The room has Persian rugs, leather chairs, dark wood bookshelves, and a fireplace.
Students study in the McGregor Room on Jan. 8, the day the library reopened to the public. (Photo by Tom Daly)

UVA students have spoken, and Alderman is “the new place to be on Grounds,” according to the Cavalier Daily. Reporter Mia Tan interviewed multiple students in late January about their experience using the library since the start of the semester and the reviews in the article were uniformly positive. They remarked on the “open and spacious” feel of the renovated building and how its welcoming atmosphere is conducive to studying.

For now, students cite one another as the primary forces that shape the character of Alderman. From establishing the ‘talking floors’ to finding favorite study spots, [Fourth-year Engineering student Morgan] Small anticipates that students will fall into patterns as they frequent the library.

 

“I think that students will fill each space in a unique way, and this is something that will naturally occur over time,” Small said. “[Alderman] seems like it’s meant to be form-fitting to whoever is studying here.”

Another Cavalier Daily reporter, Emily Barrie, “explored every inch” of the main library earlier this month to find her top ten study spots. It may come as no surprise that the McGregor Room was listed as number one, but Barrie introduces readers to some new spots that she charmingly nicknamed, including the “Puzzle Place” and “Medieval Lights Area” (also known as the North Reading Room), both located on the fourth floor.

We’re thrilled that students are feeling so comfortable in the renovated library and hope you, whether you are a student, faculty member, staff, or community patron, come find your favorite reading spot soon.

Rich data illuminates stories of Charlottesville and beyond

By Amber Lautigar Reichert | Mon, 02/12/2024 - 16:13

It’s Love Data Week! This year’s theme is “My Kind of Data,” and we have a guest post from Laura Hjerpe, Senior Research Data Management Librarian.

International Love Data Week 2024: My Kind of Data

In recognition of Love Data Week 2024, I’m featuring Charlottesville data stories from the University of Virginia Equity Center and local data from the City of Charlottesville, the Commonwealth of Virginia, and the U.S. Government. I chose this because my kind of data is a data story with human interest, backed up by reliable data sources.

Data stories from the Equity Center

Health outcomes in the Charlottesville region, one of three Picturing Climate Justice data stories from the Equity Center, begins with a discussion about how environmental factors connected with climate change can affect physical and mental health, especially that of African Americans. Eight visualizations show the relationships between socioeconomic characteristics, such as income, racial demographics, age, and location with health outcomes such as asthma, diabetes, and poor physical health. Every visualization is accompanied by variable definitions, data sources, and Python code used to create the visualizations. Additionally, a new piece on Charlottesville Urban Heat Islands has been added that updates prior climate equity work. You may find this report and others on the Charlottesville Regional Equity Atlas by scrolling down and clicking “See all Reports.”   

Three maps side by side show low temperatures in blue (morning temperatures), midday temperatures in yellow, and evening temperatures in red. The maps make "hotspots" visible in several places.
Charlottesville Urban Heat Islands show maps of the average temperature for each census block in the city.

The Charlottesville Regional Climate Equity Atlas can be used to explore social, infrastructure, and climate measures. To use, select any two measures to see the relationship between the measures in census tracts across the greater Charlottesville region. Researchers may narrow visualizations to specific counties or to the city of Charlottesville and choose from eight categories of variables: Demographic and Social, Health, Youth and Education, Jobs and Income, Housing and Transportation, Risk Factors, Community Assets and Infrastructure, and Climate Measures. After selecting a measure, the system shows that measure’s definition and data source.

These resources not only amplify data about Charlottesville area residents, but they also walk the reader through the data to make it easier to understand.

Local data collections 

Charlottesville has a number of local data collections. First, Charlottesville Open Data has municipality-generated data, such as Real Estate (Commercial Details) and a Tree Inventory. It features Charlottesville maps with city operations, historical preservation, and Green City data. 

 

A map shows half a cartoon-colored older map and half a modern satellite view map
Union Ridge Today tells the story of a Black farming community. The site contains multiple interactive maps showing historic parcels alongside contemporary ones.

Equity and Open Data features local historical data, as well as stories such as Union Ridge Today, a story told with maps about the transition of a neighborhood from Black-owned farmland to a busy Charlottesville suburb. There is overlap of datasets with Charlottesville Open Data, since both sites focus on local data.   

Virginia Open Data Portal contains Commonwealth-wide data. Popular topics include COVID-19, policing, food, and civil suit judgements. One popular historical dataset is called Freedom Suits which contains petitions initiated by enslaved people seeking to gain their freedom. Details extracted from these petitions include names, ages, years, claims, and judgements. The full text digital documents may be retrieved by file name from Virginia Untold: The African American Narrative. This collection, from the Library of Virginia, provides access to digital records documenting lived experiences of enslaved and free Black and multiracial people. 

Local data from the U.S. government 

The 2015-2019 American Community Survey (ACS) 5-Year Estimates found in Social Explorer are produced by the federal government and contain local data from communities throughout the United States, including the Charlottesville area. The 2015-2019 ACS 5-Year Estimates is a nationwide survey that asks about topics such as education, employment, internet access, transportation. The 5-year estimates represent data collected over 60 months and provide multiyear estimates for geographic areas with fewer than 65,000 residents. For more information about the ACS survey, see Understanding and Using American Community Survey Data: What All Data Users Need to Know

CDC Places, a collaboration between the Centers for Disease Control and Prevention (CDC) and the Robert Wood Johnson Foundation, reports county, place, census tract, and Zip Code Tabulation Areas (ZCTA) data and uses small area estimation methods to obtain 36 chronic disease measures.  

Ready to find your own data? Visit our Data and Statistics LibGuide for search strategy tips and to find data archives, data on a topic, and more.  

Visualization training 

Do you want to get started with visualizing your own data? Check out our RDS workshops. If you can’t make a session, reach out to the instructor for a one-on-one consultation. 

Do you want to enhance your story with maps? Visit Scholar’s Lab GIS Workshops. Coming up soon, Web Mapping and Visualization and Spatial Analysis with ArcGIS Online are offered during the last two weeks in February. Both workshops are one hour and assume no previous experience using GIS. 

There are lots of ways we can help — visit our Research Data Services site to learn about what we can offer. If you need help with finding data or using visualization tools, analyzing the data you already have, or managing your data, reach out to researchdataservices@virginia.edu.
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Trio of exhibitions examines Black life 100 years ago, with a focus on Central Virginia

By Molly Minturn | Mon, 02/12/2024 - 13:19

On a warm day last June, visitors flocked to the Albert and Shirley Small Special Collections Library for a “Family Day” event in celebration of the library’s blockbuster exhibition, “Visions of Progress: Portraits of Dignity, Style, and Racial Uplift,” curated by UVA Associate Professor of History John Edwin Mason. Since its installation in September 2022, the exhibition, which showcased portraits that African Americans in Central Virginia commissioned from the Holsinger Studio in the early 20th century, had drawn national media attention and attracted more than 10,000 visitors, nearly double the average amount. On this day in June 2023, families came to say goodbye to the exhibition just before it closed, and to have their own portraits taken as well.

Inside the Main Gallery of the Harrison Institute and Small Special Collections Library, modern-day Charlottesville residents found Holsinger portraits of their ancestors. Outside, families posed among the lush greenery for tintype portraits taken by Richmond photographer Em White, who was hired by Special Collections for the event. Nearby, visitors climbed inside the Free Book Bus to peruse titles, while on the first floor of the Harrison/Small building, children and teens participated in a “Zine Jam” workshop, cutting and pasting images to create their own tiny magazines.

On the left: a 1914 black and white portrait of a Black woman and female baby dressed in fine clothes. On the right, two Black women pose in front of the portrait on the left in the exhibition gallery.
Right: Charlottesville residents Joyce Henderson Crenshaw (r) and Helice Henderson Jones pose with a May 1914 Holsinger Studio portrait of their ancestors Susie Lee Underwood Henderson and her daughter, Evelyn (a larger image of that portrait is on the left).

“We had always wanted to do an event like Family Day for the local community,” said Holly Robertson, Curator of University Library Exhibitions, who organized the event and co-curated the Holsinger exhibition. “But it’s one thing to want to do an event, it's another thing to actually pull it off. ‘Visions of Progress’ had such good momentum, from the opening night to the media high of being featured on PBS News Hour in the dead of winter, and it really kept people coming to the exhibition, interested in the exhibition, writing in to say, ‘Hey, my relative is in here!’ It was an incredible, constant wave of positivity that propelled us to do a ‘last hurrah’ of sorts with Family Day.”

Left: a family (man, woman, teen daughter, and baby) poses for a tintype portrait outside the Special Collections Library. Right: an image of the tintype portrait being developed in clear liquid.
The Washburg family poses for a tintype portrait on “Family Day,” an event celebrating the successful run of “Visions of Progress: Portraits of Dignity, Style, and Racial Uplift.”

The success of “Visions of Progress” also inspired the curatorial team to continue examining Black life in the United States 100 years ago. “In thinking about other things that we wanted to highlight, both from a curatorial interest from staff and faculty, as well as a timely interest … we realized the Harlem Renaissance was what we wanted to do next,” Robertson said. As “Visions of Progress” wound down, Robertson worked with Special Collections curators Krystal Appiah and George Riser to dive into the Library’s rich collection of Harlem Renaissance artifacts, including books, magazines, illustrations, and manuscripts of the writers, artists, and thinkers of that era.

Looking back at the Harlem Renaissance

In September, 2023, UVA Library launched its latest major exhibition, “Their World As Big As They Made It: Looking Back at the Harlem Renaissance” in the Main Gallery of the Special Collections Library with an opening-night reception that featured live music from the Charlottesville Jazz Congregation. The curators had interpreted the cultural zeitgeist correctly; attendance for the event was at capacity, and just before the opening, the Metropolitan Museum of Art announced plans for its own Harlem Renaissance exhibition (launching later this month).

A woman in the Halrem Renaissance exhibition gallery speaks into a microphone as a crowd observes her.
Krystal Appiah, one of the exhibition’s curators, addresses the crowd who came for the opening night. Beside her stands University Librarian John Unsworth. (Photo by Erin Edgerton, University Communications)

The exhibition’s title is inspired by the Georgia Douglas Johnson poem, “Your World,” in which she looks back at the creativity of the Harlem Renaissance, acknowledges the hardships of being an emerging artist, and beckons a new generation of Black artists, writers, poets, and publishers with the line: “Your world is as big as you make it.” Johnson published her first poems in 1916 in the National Association for the Advancement of Colored People’s magazine The Crisis, which is featured prominently in the exhibition.

“Our original idea for the exhibition was to take the three major magazines from Harlem from the period: Opportunity, The Messenger, and The Crisis, which all had different approaches to what they called ‘Negro uplift’ during the Great Migration, amid a background of incredible violence that was being perpetrated at that time,” said Riser, one of the exhibition’s curators. The works in the exhibition show “the countering of that violence, through this renaissance of art and poetry and music,” he said.

In addition to the original editions of those magazines, the exhibition features the papers of Langston Hughes; first editions of books by Claude McKay, Zora Neale Hurston, and Countee Cullen; as well as fashions and music from the era, thanks to contributions from Sophie Abramowitz, a specialist at Smithsonian Folkways Recordings (and former student assistant for Special Collections) whose graduate dissertation focused on songwriting in the Harlem Renaissance. Marlon Ross, a UVA English professor, also assisted with curation. Many of the items in the exhibition were originally collected by UVA Library soon after they were published. “Not many institutions have a [Harlem Renaissance] collection like ours,” curator Krystal Appiah told UVA Today. [See below for the curators’ favorite elements of the exhibition.]

Inspired by the way “Visions of Progress” drew in the local community through ancestral connections, Library curators put out a call this past summer for present-day artists to create works that would explore or respond to poems by Harlem Renaissance authors. The project, titled “As Big as We Make It!” was sponsored by a grant from the UVA Arts Council. A selection committee chose five contemporary artists with connections to UVA and Charlottesville to showcase their work in the exhibition. Read more about them here.

Curators provided tours of “Their World As Big As They Made It” to more than 600 middle school students on field trips just in the first three months of the exhibition run — and they will welcome almost 1,000 more Charlottesville-area high school students before the end of this month. In late January, more than 1,000 people registered to attend a virtual behind-the-scenes tour of the exhibition through UVA Lifetime Learning. On April 26, the Library will hold an open-house Final Friday celebration of the Harlem Renaissance. And for those traveling to Charlottesville for the 2024 Black Alumni Weekend or either Reunions weekends, the Library will offer in-person curator-led tours of the exhibition.

Sneak Peak: Curators share their favorite elements of “Their World As Big As They Made It: Looking Back at the Harlem Renaissance”

From the Harlem Renaissance exhibition: large silkscreens of the book covers of Claude McKay's 'Home to Harlem' and Langston Hughes' 'The Weary Blues' cover two windows. Between them is an exhibition case featuring books and papers by Langston Hughes.
“I’ve always loved the dust jacket for ‘The Weary Blues’ [a poetry collection by Langston Hughes]. It’s so kinetic, representing the vibrancy that we associate with the Harlem Renaissance. The window [with a giant silkscreen of the book cover covering it] looks especially beautiful when it’s lit by the setting sun.” 

— Krystal Appiah, Head of Collection Development at the Small Special Collections Library
A silkscreen of the cover of of FIRE!! (a Black literary magazine published in 1926) covering a window in the exhibition space. Silkscreen is pink with modernist/African art of a woman's profile and abstract designs beside her.
“I love the attitude of the younger generation of writers who worked on and contributed to the single issue of FIRE!! [a Black literary magazine published in 1926]. Wallace Thurman, Gwendolyn Bennett, Zora Neale Hurston, Langston Hughes, Richard Bruce Nugent and others challenged established sensibilities by writing in vernacular language and covering controversial topics such as women’s rights, homosexuality, drug use, and prostitution. The goal of FIRE!!, according to Langston Hughes was, “to burn up a lot of the old, dead conventional Negro-white ideas of the past.”

— George Riser, Instruction and Curation at the Small Special Collections Library
Four photos show art being installed for the Harlem Renaissance exhibition.
“It’s the week before opening day — when the beautifully designed graphics with words we labored over for months (sometimes years) are rolling in from our trusted local print vendors, the carefully selected objects are mounted in cradles, frames, or mats and moving up from the Stacks, and everything comes together amidst ladders, laser levels, and unlocked exhibit cases.” 

— Holly Robertson, Curator of Exhibitions for the Small Special Collections Library 

Looking ahead: The world of Anne Spencer

As Robertson was working on building on the Harlem Renaissance exhibition, she realized the Library had an opportunity to continue to examine Black life a century ago through the lens of poet Anne Spencer, a Virginia native who was an active figure in the Harlem Renaissance. UVA Library holds a vast collection of Spencer’s work and papers and this will be the subject of the next major exhibition opening in the Main Gallery of the Special Collections Library in September 2024. “I see ‘Visions of Progress,’ the Harlem Renaissance, and Anne Spencer as a triptych of exhibitions that look back at the African American experience 100 years ago, with a focus on Charlottesville and Central Virginia,” Robertson said.

Spencer lived most of her life in Lynchburg, Virginia, but had a strong presence in the literary world of the Harlem Renaissance. Her first published poem appeared in The Crisis and subsequent work was published in “The New Negro: An Interpretation,” a 1925 anthology of fiction, essays, and poetry edited by Alain Locke that served as a central text of the Harlem Renaissance, pushing for social and political change. In addition to being a poet, Spencer was a teacher, librarian, mother, gardener, and activist who helped revitalize the Lynchburg chapter of the NAACP, and her Lynchburg home was a meeting place for writers and intellectuals including Thurgood Marshall, Langston Hughes, and W. E. B. DuBois.

Left: A black and white 1917 portrait of poet Anne Spencer in her home. Left: a photo of Anne Spencer's house, a two-story Victorian with a wraparound front porch.
Left: a 1917 portrait of Anne Spencer (courtesy UVA Special Collections Library). Right, a photo of Anne Spencer's home in Lynchburg, which is now a museum (courtesy the Anne Spencer House & Garden Museum). Spencer will be the subject of the next major exhibition in the Main Gallery of the Special Collections Library, launching in September 2024.

Spencer’s house is now a museum, maintained and run in part by her granddaughter, Shaun Spencer-Hester. “I just traveled to the museum recently and it is so beautiful,” Robertson said. “It is a liberated woman’s space, complete with a writer’s studio and gorgeous garden. The museum is starting to get its own national attention and funding. It feels like the right time to recognize the Library’s Spencer collection, which scholars are publishing on these days — and to lift up and celebrate the work of Shaun Spencer Hester as well.”

Robertson hopes to build the exhibition space to allude to architectural elements of the Spencer house and garden. “I keep thinking about family trees and the beautiful garden that [Spencer] left,” she said. “I plan to situate exhibition cases like trees, like the arbors that you see in the garden, giving people a sense of the beauty that they can behold and the story that they can behold about this incredible civil rights activist, librarian, and poet who brought the Harlem Renaissance into her own home.”

To see our latest major exhibition, “Their World As Big As They Made It: Looking Back at the Harlem Renaissance,” in person, visit the Main Gallery of the Special Collections Library, open weekdays and Saturday afternoons. Or attend our Final Friday event on April 26, 2024, for an open house-style celebration featuring gallery talks by exhibition curators. 

From Jacob Lawrence to Tupac Shakur, check out UVA Library’s recommendations for Black History Month 2024

By UVA Library | Thu, 02/01/2024 - 09:07

Since 1976, the U.S. government has officially observed February as Black History Month, with the Association for the Study of African American Life and History designating a theme each year. The theme for Black History Month 2024 is “African Americans and the Arts,” and UVA librarians are excited to offer recommendations for books, films, and even datasets that examine Black culture, history, and creativity. This year’s recommendations come from Reference Librarian Mandy Rizki and, where noted, from Keith Weimer, Librarian for History and Religious Studies. For more recommendations, also see our posts commemorating Black History Month 2023, Black History Month 2022 and Black History Month 2021.

A colorful Jacob Lawrence painting of people in Nigeria dancing and carrying various objects.Black Orpheus: Jacob Lawrence and the Mbari Club,” edited by Kimberli Gant and Ndubuisi Ezeluomba (2022)

I was first introduced to Jacob Lawrence when I lived in Washington, D.C., and was lucky to be able to visit half of his “The Migration Series” at the Phillips Collection often. The other half lives at the Museum of Modern Art in New York. This book, “Black Orpheus,” explores the relationships between Lawrence and the members of the Mbari Artists & Writers Club through artwork, of course, but also through archival materials, essays, photographs, and images of the Mbari Club’s arts magazine, Black Orpheus (1957-67). Inspired by Lawrence’s lesser-known “Nigeria” series from the 1960s, this gorgeous exhibition catalog explores the huge, yet often ignored, impact of African Modernism on Lawrence’s practice and on art history globally.

Available in print.

Movie poster for "Moonlight"Moonlight,” by Barry Jenkins (2016)

You may remember this 2016 film for winning Best Picture and Best Supporting Actor — to Mahershala Ali — at the Oscars. Nearly eight years away from the revelation of its release and the buzz of awards season, the movie has aged to an even more beautiful, moving, thoughtful experience. Queer identity is easier to find in media now than ever before, but to explore queer sexuality is still so rare, even more so Black queer sexuality. “Moonlight,” available on SWANK Streaming Film Database, does just that, in luminous color and amazing performances through all three chapters of the film.

Available on SWANK Streaming Film Database.

Cover image for "Beyond the Door"Beyond the Door of No Return,” by David Diop, trans. Sam Taylor (2023)

Set mostly in the 1750s in Senegal, this 2023 novel by David Diop (translated by Sam Taylor) layers language, time, relationships, truth, and imagination. The main character, Michel Adanson, was really a botanist who worked in Senegal in the 18th century. Diop, himself French-Senegalese, has taken Adanson as a starting point to imagine a story about his experiences traveling through the heart of the transatlantic slave trade, including descriptions of the House of Slaves and its Door of No Return on Gorée, off the coast of Dakar. You may recognize this historic location from other novels, including those by Kwame Alexander and Yaa Gyasi. Diop’s epistolary book, translated from French, completely engages us in the lives of Adanson and his daughter, Aglaé, with skillful writing. Its vivid descriptions and astute observations move what may have been a trite novel into a mesmerizing work.

Available in print.

A black and white image of Black people protesting in the 1960s.The History of Black Studies,” by Abdul Alkalimat (2021)

Alkalimat, a professor of African American Studies and of Library and Information Science, has worked in the field of Black Studies since its founding in the 1960s. This chronicle, therefore, is based in both historic research and first-hand experience. Alkalimat describes how Black Studies departments were born out of political movements from student activism to Black Power, and doesn’t underplay the impact of the women’s movement and co-ed activism on the creation of these departments and programs. Simultaneously, Alkalimat reminds us that Black intellectualism existed long before the institutionalization of Black Studies. Check out his subsequent book too, The Future of Black Studies.

Available in ebook.

Strips of photos of the Shakur family, including a partial image of Tupak Shakur's mother Afeni ShakurAn Amerikan Family: The Shakurs and the Nation They Created,” by Santi Elijah Holley (2023)

This 2023 publication reviews the history of the Shakur clan and their commitment to Black resistance movements from Marcus Garvey’s Universal Negro Improvement Association in the early 20th century, the Nation of Islam, the Black Panthers and its offshoots — including the violent Black Liberation Army — and the cultural activism of rapper Tupac Shakur. Patriarch Salahdeen Shakur ties the various figures and movements together, though much attention is paid to his daughters-in-law Afeni Shakur (Tupac’s mother) and Assata Shakur (still a fugitive in Cuba). The book offered a clear overview of important currents of thought, organizations, and personalities within the Black community, as well as the connections between them.

Available in print. (This recommendation was provided by Keith Weimer)

National Survey of Black Americans Series, by James S. Jackson, Harold W. Neighbors, M. Belinda Tucker, and Gerald Gurin

Novels, books, and films are crucial to understanding and celebrating Black history and culture — so is data! Many institutions and research centers create datasets studying Black communities, health, experiences, and much more. This particular dataset from the University of Michigan’s Institute for Social Research, spanning 1979 to 1992, is focused on social, economic, and psychological data of Black Americans. Other publicly available datasets on Black American life can be found via Pew Research, the US Census Bureau, and more. Our Research Data Services team is here to help you work with data and find datasets. Attend a workshop to dive deep on software or visit the StatLab by appointment or walk-in hours. 

Available from the Institute for Social Research at the University of Michigan.

Don't miss this event! “Looking Back at the Harlem Renaissance”

By UVA Library | Mon, 01/22/2024 - 14:37
Banner for UVA Library's current exhibition, "exhibition Their World As Big As They Made It: Looking Back at the Harlem Renaissance," features a yellow background, a drawing of a woman in flapper clothes dancing, a man playing guitar, and a city building.

 

Join Lifetime Learning and the UVA Library for a virtual tour of the current exhibition Their World As Big As They Made It: Looking Back at the Harlem Renaissance, featuring the visionary works of writers, artists, and thinkers whose creative and intellectual pursuits defined Black American identity and political consciousness. The Albert and Shirley Small Special Collections Library is fortunate to hold a wide selection of influential books, magazines, illustrations, and manuscripts from the Harlem Renaissance.

The exhibition curators—Marlon Ross, Krystal Appiah, and George Riser—will offer a look back one hundred years ago when the artistic and political revolutions of the Harlem Renaissance were in full swing. They will also offer a behind-the-scenes chronicle of their work, producing a highly visual exhibition in conversation with Black artists today.

Event details:

Wednesday, January 24, 2024
3-4 p.m. EST
Virtual event with live captioning
Free and open to all; register here

Speaker biographies:

Marlon Ross, Professor of English, Department of English, College and Graduate School of Arts and Sciences

Krystal Appiah, Head of Collection Development, the Albert and Shirley Small Special Collections Library

George Riser, Curator, the Albert and Shirley Small Special Collections Library

Holly Robertson (moderator), Curator, the Albert and Shirley Small Special Collections Library

 

 

 

Library guide offers support for navigating AI in the classroom

By Molly Minturn | Wed, 01/17/2024 - 13:38
An illustration of a human brain overlaid by computer chips
Pixabay/Creative Commons

Earlier this week, Indian cricket star Sachin Tendulkar spoke out about a deepfake video surging on social media in which Tendulkar appeared to be promoting a gaming app as an easy way to make money. “It is disturbing to see rampant misuse of technology," Tendulkar stated on X (formerly Twitter). Tendulkar is just the latest victim in the rise of deepfakes. According to The Guardian, more than 100 deepfake videos impersonating United Kingdom Prime Minister Rishi Sunak appeared on Facebook in the last month, raising widespread concern about the damage artificial intelligence (AI) is causing before the country’s general election.

“Deepfake generators are tools that can edit videos to make it look like someone has done or said something they haven’t,” said Josh Thorud, a Multimedia Teaching and Learning Librarian at the University of Virginia Library. “As you can see, this technology is both exciting and frightening in its possible uses — everything from creative exploration to fake news, scams, false criminal evidence, and bullying or blackmail through impersonation.”

Thorud is part of a UVA Library team that offers resources to navigate the increasingly complicated landscape of AI in higher education. The group created a free guide for students and faculty, “Generative AI at UVA,” which features links and information about AI, including ethical use, citations, considerations for use, and more. The guide is one of nearly 600 online guides created by Library staff.

Novices to AI can start with the guide’s “What is Generative AI” section, which explains how programs like ChatGPT use artificial intelligence to create and produce new content through algorithms. Instructors who are teaching about the effects of AI on society or who are concerned about the use of AI in scholarship may want to explore the guide’s “Cautions and Considerations” section, which discusses how to use AI critically, taking into account knowledge gaps; risks of plagiarism and perpetuating misinformation; and complex concepts of bias, privacy, and equity. Students who are using permissible AI-generated content in their academic writing should check out the “Citations” section.

Thorud designed the guide’s “Images and Media” section, which examines how AI can produce artwork, music, and videos — including deepfakes — and all of the concerns that come with that. “By engaging with deepfakes in the classroom, students can critically examine the implications of this technology and develop media literacy skills by looking at misuse and getting hands-on experience of their own,” Thorud said. “And when it is so easy to create fakes, the only barrier is ethics, empathy, and integrity. This calls for an imperative in our classrooms to embed ethical decision-making and critical analysis as core components of media literacy.”

The guide also provides helpful links to wider work on AI going on at UVA, including a generative AI teaching hub through UVA’s Center for Teaching Excellence, which, in addition to a section by Thorud on AI media and non-textual tools, features recommendations from UVA librarians Meridith Wolnick and Maggie Nunley on ethically integrating AI into courses. Wolnick and Nunley worked with Thorud and others to build the Library’s Generative AI guide last fall and urge users to check it frequently for updates and new guidance as AI continues to evolve. “We built this guide at a breakneck speed to get it up,” Nunley said. “Because things are changing and we’re learning so much so quickly, this is going to be a guide that gets updated and changes a lot.”

For instructors who are curious about exploring AI in their classrooms, Thorud recommends striking a balance between technological exploration and critical thinking. “Encourage students to not only learn how to use AI tools, but also to critically analyze their impact on media, society, and ethics through using them,” he said. “This will not only equip students with valuable skills but also prepare them to responsibly shape the future.”

Open doors: First patrons explore the renovated main library

By Molly Minturn | Wed, 01/10/2024 - 11:41

Students, faculty, staff, and community members streamed into the University of Virginia’s newly renovated main library when its doors opened to the public at 9 a.m. sharp for the first time in nearly four years.

Visitors explored five floors of new and updated space. They browsed books in stacks on the fifth floor; studied in the McGregor Room; and bathed in the light streaming in from skylights, clerestories, and massive arched windows. Check out our Instagram page to see a video of the first patrons entering the building.

Photographer Tom Daly was there to capture opening day; take a look at some of the highlights below. 

Twelve people enter a large room through the front doors. A man in a green coat applauds.
Patrons lined up outside before the library opened to the public on Jan. 8. Some applauded after walking through the doors.
A woman stands in the lobby of the library gazing up in happiness. Beind her, people take pictures and mingle.
A patron took in the view in Memorial Hall. 
A student sits at a long table working in a large room with yellow walls, big windows, a checkered floor, and bookshelves.
A student studied in the Reference and Periodicals Room on the fourth floor. 
Students gather around an apeture railing on the fifth floor of the library, overlooking the fourth floor below. Above them, natural light flows in through clerestory windows.
Students chatted on the fifth floor of the library. The cast iron panel in the aperture railing is a detail from the Rotunda, the University’s first library.
Three smiling students look at books while standing in the stacks.
Students skimmed books in the fifth-floor stacks. 
A student lounges in a comfortable chair in in an ornate, old-fashioned room with Persian rugs and a fireplace.
A student worked in the McGregor Room, also known as the “Harry Potter Room,” on the second floor.
A young man stands in a large lobby with a checkered floor letting the sunlight stream through the windows onto his face.light
A student stood in the sunlight in Memorial Hall.
Sunlight shines through clerestory windows onto numerous shelves of books on the fifth floor.
The stacks are waiting for you; come visit soon! 

 

Renovated main library set to open on January 8

By UVA Library | Thu, 01/04/2024 - 22:30

The University of Virginia Library is pleased to announce that its main library, which has undergone a transformational, four-year renovation, will reopen to the public on Monday, Jan. 8, at 9 a.m.

The renovation brings the library up to current standards of safety, accessibility, and service. A new north entrance makes the building easily reachable from University Avenue, and a larger south entrance makes the space easier to access from Grounds. The building offers better layout and natural light, including in two new study courts for study, research, and socializing.

Much-loved features such as the McGregor (“Harry Potter”) Room remain — they’ve been renovated and optimized for comfort and character, preserving the essential elements of their unique identity.

Below, photographer Tom Daly captured images of the quiet library days before its opening. For an additional sneak peak of the renovated building, follow our Instagram account.

Shelves full of books in a light-filled library
A view from the fifth floor, looking down to an open study area and soon-to-be-filled stacks on the fourth floor below. The renovated building is filled with natural light from clerestory windows.
A large study area in a brick-enclosed courtyard space under a massive skylight.
On the second floor, students/researchers can work in two new study courts under massive skylights.
A large, luxurious room with a fireplace and bookshelves, filled with leather-bound furniture.
Much-loved features such as the McGregor (“Harry Potter”) Room remain.

 

Read more in UVA Today's coverage of the opening.

 

UVA librarians share their favorite books read in 2023

By Molly Minturn | Mon, 12/18/2023 - 14:24

As the end of the year approaches, we asked UVA Library staff to recommend their favorite books they read in 2023. The books could be any genre, published in any year, so long as they were available in UVA Library’s or the Jefferson-Madison Regional Library’s collections.

Take a look at our extensive list below and check some books out for the holidays. Please note: the publication years listed correspond with the editions in our collections, not necessarily the original publication dates.

Happy reading; see you in the newly renovated main library in January 2024!

Recommended by Sherri Brown, Librarian for English

Book covers for "Tom Lake," "Native Son," "How Not to Drown in a Glass of Water," and "The Guest List."

 

 

 

 

 

“How Not to Drown in a Glass of Water” by Angie Cruz (Flatiron Books, 2022)

This quick read swept me up into the daily trials and tribulations of its narrator, Cara Romero, and left me wanting more.

“Tom Lake” by Ann Patchett (Harper, 2023) 

A mother recounts the summer she fell in love with a soon-to-be movie star to her children. Like all of Patchett’s novels, a delight.

“Let the Dead Bury Their Dead” by Randall Kenan (Harcourt Brace Jovanovich, 1992) 

In 2022 I read Kenan’s posthumously published essays and loved them, so I sought out this collection of short stories. My favorites, including “Clarence and the Dead” and “Things of this World; or Angels Unawares,” delved into the fantastical and supernatural, and stuck with me long after I finished the book.

“Native Son” by Richard Wright (Harper & Brothers, 1940) 

I was inspired to read this based on a fall class I worked with. This powerful book has one pondering Bigger Thomas’s motives for murder, the society that influenced his actions, and his reflections after his crimes.

“The Guest List” by Lucy Foley (William Morrow, 2020) 

This was my favorite just-for-fun thriller read of the year. A private island, a wedding, many secrets revealed, and a murder – what’s not to like?

Recommended by Ann Burns, Metadata Librarian

Book covers for "Yellow Wife," "Lessons in Chemistry," "The Land of Lost Things," and "Properties of Thirst."

 

 

 

 

 

“Lessons in Chemistry” by Bonnie Garmus (Doubleday, 2022) 

Hasn’t everyone heard of this one? Elizabeth Zott is confident, prickly, and smarter that almost everyone around her, which is what makes her story irresistible. Light but very profound.

“The Land of Lost Things” by John Connolly (Emily Bestler Books, Atria, 2023)

This is a sequel but stands by itself. One of the best and most thoughtful fantasy books I’ve read: the power of stories to teach and to heal.

“Properties of Thirst” by Marianne Wiggins (Simon & Schuster, 2022)

The story of a man trying to keep from losing his rights to the water under his own land while his family navigates the presence of a Japanese internment camp on their doorstep. A stark and beautiful story.

“The Yellow Wife” by Sadeqa Johnson (Simon & Schuster, 2021)

The story of an enslaved woman who lived the role of wife to a white slave trader in 1850s Richmond. This situation is not often addressed and I found the protagonist’s navigation of it frightening and enlightening.

Recommended by Sue Donovan, Conservator for Special Collections

Book covers for "Last Night at the Telegraph Club," "Weyward," "The Bullet That Missed," "Entangled Life," and "The Worst Hard Time."

 

 

 

 

 

“Entangled Life: How Fungi Make Our Worlds, Change Our Minds and Shape Our Futures” by Merlin Sheldrake (The Bodley Head, 2020)

I thought I loved mushrooms before, but this was transformational.

“The Worst Hard Time: The Untold Story of Those Who Survived the Great American Dust Bowl” by Timothy Egan (Houghton Mifflin, 2006)

A reread, this time about the Dust Bowl: what led up to it, why it happened when it did, and how things were never the same. Two words that will devastate me forever: dirt mulch.

“The Bullet that Missed” by Richard Osman (Pamela Dorman Books, 2022)

The third book in the Thursday Murder Club Series. I just can’t get enough of this octogenarian murder-solving crew. It feels like coming home to friends, and the audiobook narrated by Fiona Shaw is simply perfect.

“Last Night at the Telegraph Club” by Malinda Lo (Dutton Books 2021)

This was recommended to me by a friend, and I melted into Lily’s story of self-awakening and family dynamics in San Francisco in the 1950s.

“Weyward” by Emilia Hart (St. Martin’s Press, 2023)

This one was just under the wire of December for me. While a number of bad things happen to the women in this book, the author approaches the issues with gentleness and shows the strength of her characters in how they deal with the events. I found the generational connections of the three women really engaging. I couldn’t put this book down.

Recommended by Haley Gillilan, Undergraduate Student Success Librarian

Book covers for "Silver Nitrate," "Loot," and "A Living Remedy."


 

 

 

 

“A Living Remedy” by Nicole Chung (Ecco, 2023)

This memoir about parental loss, navigating the early days of COVID-19, and staying afloat in the American healthcare system is overall heartbreaking but necessary. Chung’s writing always makes me feel less alone and reminds me that grief needs to be expressed. 

“Loot” by Tania James (Knopf, 2023)

This work of historical fiction is such an exciting heist adventure! This book imagines an elaborate backstory for the very real automaton Tipu’s Tiger and how far the inventor will go to get it back.

“Silver Nitrate” by Silvia Moreno-Garcia (Del Ray, 2023)

Moreno-Garcia is the master of genre fiction. Every book she writes is completely different than the rest of her catalog, and it impresses me every time. “Silver Nitrate” is a creepy ’90s thriller about a sound editor and her best friend who stumble upon an occultist plot. It’s as cinematic as a book can get, with Moreno-Garcia wielding her ability to create a soundscape and atmosphere with just words on the page.

Recommended by Grace Hale, Reference Librarian

Book covers for "Constructing Grounded Theory," "Hunger," "Knowledge Justice," "Playlist for the Apocalypse," and "The Greatest Empire."

 

 

 

 

 

“Constructing Grounded Theory: A Practical Guide Through Qualitative Analysis” by Kathy Charmaz (Sage Publications, 2006)

Although there are plenty of more up-to-date publications available, to my mind this is still the most practical and useful introduction to grounded theory out there for anyone interested in qualitative analysis. I use this manual (along with “Applications of Social Research Methods to Questions in Information and Library Science” by Barbara M. Wildemuth) whenever thinking about research design.

“Knowledge Justice: Disrupting Library and Information Studies Through Critical Race Theory” edited by Sofia Y. Leung and Jorge R. López-McKnight (MIT Press, 2021)

This volume brings together a really insightful group of essays on social justice work in libraries by early career BIPOC library and archive professionals.

“The Greatest Empire: A Life of Seneca” by Emily R. Wilson (Oxford University Press, 2014)

This ebook is an accessible meditation on the contradictions of Seneca’s life that touches on modern concerns like how to create serenity in an achievement-oriented capitalistic society.

“Hunger: A Memoir of (My) Body” by Roxane Gay (Harper, 2017)

Gay’s autobiographical meditation on food and bodies explore attitudes around consumption, health, self love/hate.

“Playlist for the Apocalypse: Poems” by Rita Dove (W. W. Norton & Company, 2021)

Dove’s eleventh volume of poetry explores American history both macro & micro.

Recommended by Bret Heddleston, Print Periodicals Specialist

Book covers for "Ten Problems Concerning Providence," "The Gate," "Fullmetal Alchemist," "If All the World and Love Were Young," and "Mansfield Park."

 

 

 

 

 

“Mon” (“The Gate”) by Natsume Sōseki; translated by Francis Mathy (Owen, 1972)

Though poorly known in the U.S., Natsume Sōseki is so famous in Japan that they put his picture on the 1,000 yen note. “Mon” is a slow-paced, gently painful, and deeply moving story of a struggling young Japanese couple living in alienation from their family and society in Tokyo at the beginning of the 20th century.

“Mansfield Park” by Jane Austen (Dent, Dutton, 1910)

A short, early work by Jane Austen is titled “The Female Philosopher”; Austen was herself the female philosopher as she wrote her lesser-known major novel, “Mansfield Park.” Readers will enjoy long, philosophical dialogue on norms, society and religion, which occur intermittently between the members of the novel’s main love triangle: the upright (and maybe a little stiff) Edmund Bertram, the cynical and bitingly witty Mary Crawford, and the demure, but well-cultured heroine, Fanny Price.

“Fullmetal Alchemist, Vol.15” by Arakawa Hiromu (Viz Media, 2011)

If some slightly graphic illustrations of war are not too much, then Vol. 15 of this famous manga and anime series is particularly important for revealing the events of a civil war that many of the major characters were involved in. The inside cover explains that the author based many of the characters’ struggles on interviews she conducted with Japanese World War II veterans.

“Ten Questions Concerning Providence” by Proclus, translated by Jan Opsomer and Carlos Steel (Bloomsbury Academic, 2012)

Students of philosophy — particularly ancient philosophy and Neoplatonism — may find this work by Proclus, who is often called the last great philosopher of Antiquity, to be of interest. His writings considering questions of fate, determinism, providence and the One, may either remind readers of later philosophy or theology, or be instructively dissimilar in approach.

“If All the World and Love Were Young” by Stephen Sexton (Penguin, 2019)

A book of poetry about the passing of the author’s mother at a young age from cancer, this work consists of poems named after the levels of the game he was playing at the time: “Super Mario World.” Because the use of imagery from the game is so clever, the best way to read the book is to play through a level before reading the poem named after it. The reader may find the slower pace of the narrative read in this way to amplify both the sweetness and the pain of the journey.

Recommended by Laura Hjerpe, Senior Research Data Management Librarian

 Book covers for "The Monk of Mokha" and "All the Lovers in the Night."

 

 

 

 

I read these books for a Meetup group based in Northern Virginia that alternates between nonfiction and fiction.

“The Monk of Mokha” by Dave Eggers (Knopf, 2018)

Mokhtar Alkhanshali grows up in the San Francisco Tenderloin and eventually becomes a coffee entrepreneur in Yemen. This was such an inspiring story, and I learned about the Yemeni diaspora in the U.S., especially in California.

“All the Lovers in the Night” by Mieko Kawakami; translated from the Japanese by Sam Bett and David Boyd (Europa Editions 2022)

Fuyuko Irie, a proofreader whose life is her job, struggles with taking initiative, developing interests, and connecting with others. I had trouble getting started with this novel but was completely engrossed by the end.

Recommended by Ervin “EJ” Jordan Jr., Research Archivist, Albert and Shirley Small Special Collections Library

Book covers for "Time Traveler's Guide to Elizabethan England," "Sleeping With the Ancestors," "Santa’s Sleigh Is on Its Way to Virginia," "Changing History," and Four Hundred Souls."

 

 

 

 

 

My five selections this year pertain to African American, British, and Virginia history, as well as Christmas.

“Santa’s Sleigh Is on Its Way to Virginia: A Christmas Adventure” by Eric James (Sourcebooks Jabberwocky, 2015)

Illustrated rhyming tale of Santa’s delivery of gifts and cheer to children in Arlington, Bon Air, Chesapeake, Fairfax, Hampton, Newport News, Norfolk, Oakton, Richmond, Salem, and elsewhere. Charmingly suitable for kids from ages 1 to 92.

“Four Hundred Souls: A Community History of African America, 1619-2019” edited by Ibram X. Kendi and Keisha N. Blain (One World, 2021)

A thought-provoking “choral history” of commentaries, essays, poetry, short stories, and personal reflections by ninety writers commemorating 400 years of African American history.

“Changing History: Virginia Women Through Four Centuries” by Cynthia A. Kierner, Jennifer R. Loux, Megan Taylor Shockley (Library of Virginia, 2013)

A wide-ranging history focusing on women of African, European, and Indigenous ancestry as transformative participants of their times. Printed on acid-free paper, marvelously illustrated, meticulously researched, and insightfully written, this is a must-read for everyone’s Virginia bookshelf.

“Sleeping With the Ancestors: How I Followed the Footprints of Slavery” by Joseph McGill Jr. and Herb Frazier (Hachette Books, 2023)

Slave Dwelling Project founder McGill recounts his 12-year, 25-state sleepovers at 200 slave dwellings on plantations, college campuses, private and public historical sites, state and national parks, and camping overnight where structures no longer exist. This project is a reminder that whenever we discover new historical information we must re-evaluate our perceptions about the past — and ourselves.

“The Time Traveler’s Guide to Elizabethan England” by Ian Mortimer (Bodley Head, 2012)

If you’re planning to visit England during the reign of Elizabeth I (1558-1603), you’ll need this engrossing guidebook of do’s and don’ts about food, drink, and clothing and how to navigate smells, rogues, social customs, and religious disputes to avoid getting yourself hanged — or worse. A witty page-turner and stocking stuffer for Anglophiles.

Recommended by Nancy Kechner, Research Software Specialist

Book covers for "The Covenant of Water," "Hello Beautiful," and "Hang the Moon."

 

 

 

 

 

Descriptions below are from the publishers’ websites.

“Hang the Moon” by Jeannette Walls (Scribner, 2023)

When Sallie tries to teach young Eddie to be more like their father, her daredevil coaching leads to an accident, and Sallie is cast out. Nine years later, she returns, determined to reclaim her place in the family.

“Hello Beautiful” by Ann Napolitano (The Dial Press, 2023)

An exquisite homage to Louisa May Alcott’s timeless classic, “Little Women,” “Hello Beautiful” is a profoundly moving portrait of what is possible when we choose to love someone not in spite of who they are, but because of it.

“The Covenant of Water” by Abraham Verghese (Grove Press, 2023)

A stunning and magisterial epic of love, faith, and medicine, set in Kerala, South India, following three generations of a family seeking the answers to a strange secret.

Recommended by Rose Oliveira-Abbey, Accessioning Archivist

Book covers for "Redshirts," "The Sentence," "Faith, Hope and Carnage," and "Light From Uncommon Stars."

 

 

 

 

 

I am part of a book club, and three out of four of my recommendations come from our readings this year. Being in my book club exposed me to books I would not have typically read but enjoyed. Besides these books, I recommend finding a good book club. There is nothing like arguing over a plot point with good people.

“Faith, Hope, and Carnage” by Nick Cave and Sèn O'Hagan (Canongate Books, 2022)

This book is a series of interviews between musician Nick Cave and journalist Sèn O'Hagan in the summer of 2020. The conversation explores grief, the creative practice, addiction, and religion. I found his reflections on the death of his son, Arthur, and the effects on him, his family, and his art profoundly moving.

“Light from the Uncommon Stars” by Ryka Aoki (Tor, 2021).

Katrina Nguyen, a transgender run-away violinist, catches the attention of Shizuka Satomi, a former violin star now teacher, who has made a deal with the devil. Will Satomi use Katrina to escape her Faustian bargain with the devil? If that isn’t enough, there are aliens to boot. This book has so many threads that it seems impossible to work. But it does!

“The Sentence: A Novel” by Louise Erdrich (Harper, 2021)

Tookie, the Native American woman protagonist of the book, served a 10-year prison sentence and now works in a bookstore in Minneapolis. Flora, an annoying customer, dies, and her spirit haunts the bookstore (and Tookie). The story dives into their connection and captures the effect on Tookie and the city after George Floyd’s death.

“Redshirts” by John Scalzi (Tor, 2012).

In “Star Trek,” a red shirt is a stock character who dies shortly after being introduced. This book plays on this theme and asks what the creators’ responsibility is to their characters. It was a quick and fun read that had me laughing all the way through.

Recommended by Amber Lautigar Reichert, Director of Content Strategy 

Book covers for "Olga Dies Dreaming," "Sea of Tranquility," and "A People's Future of the United States."

 

 

 

 

 

“A People’s Future of the United States” edited by Victor LaValle and John Joseph Adams (One World, 2019)

This collection of speculative fiction gathers inventively hopeful, technologically interesting, and beautifully inclusive tales. Each story left me feeling unexpectedly optimistic about the future of humanity, even as the authors reject any rose-colored depictions of the future (or the present). Plus, after reading from the 25 talented contributors, you’ll have plenty of ideas of what to read next. 

“Sea of Tranquility” by Emily St. Mandel (Knopf, 2022)

A quiet, engrossing sci-fi tale that doesn’t shy away from the fun stuff — the technolust, the temporal paradoxes — but somehow remains fully grounded, both on earth and the human colony on the moon. My only complaint is that it wasn’t longer: I would’ve happily lived in this world for a long time, but St. Mandel tells a complete, lovely, and unforgettable story.

“Olga Dies Dreaming” by Xochitl Gonzalez (Flatiron Books, 2021)

Olga is a wedding planner for wealthy brides and grooms, and her life in Brooklyn and Manhattan is fascinating, complex, and (at times) enviable. What made this a “best book” for me, though, was the richness given to her family life, and those around her, all of whom are relatable and complex. This book also led me to learn about the Comedores Sociales, an amazing organization which arose from the breadth of human responses to natural disasters in Puerto Rico.

Recommended by Jennifer Roper, Director of Digital Strategies and Scholarly Communications

Book covers for "Trust," "Beloved," and "The Shards."

 

 

 

 

 

When I looked through my list of books read this year, narrowed it down to the most interesting reads, and figured out which ones are available via UVA it turns out that the three on this list are all on a theme: Perception is reality or reality is perception?

“Trust” by Hernan Diaz (Riverhead Books, 2022)

The story of a husband and wife living the high life in the Roaring ’20s, primarily in New York. The story is told in three parts, all from different perspectives; all have similarities as well as different portrayals of the primary characters. Ends up with a bit of a “gotcha” moment at the end because everyone is telling the story differently.

“Beloved” by Toni Morrison (Knopf, 2005)

Post-Civil War tale of a formerly enslaved woman struggling to live with the aftermath of the brutality of enslavement, her hard-fought journey to freedom, and her grief over her choices to protect her children from the life she was forced live.

“The Shards” by Bret Easton Ellis (Knopf, 2023)

Auto-fictional story of early ’80s Los Angeles teenagers caught in typical high school dramas while the news is covering an active serial killer, until the two stories collide. As a proud member of Generation X, I found Ellis’ use of music references a mesmerizing scene-setting.

Recommended by Douglas Ross, Information Technology Specialist, Institute for Advanced Technology in the Humanities

Book covers for "Under the Volcano," "To the Lighthouse," "As I Lay Dying," “The Brothers Karamazov" and "Mrs. Dalloway."

 

 

 

 

 

Descriptions below are from the publishers’ websites.

“To the Lighthouse” by Virginia Woolf (Oxford University Press, 2006)

“To the Lighthouse” is Woolf’s most autobiographical novel, and this new edition provides a comprehensive introduction to all aspects of its appeal.

“Mrs. Dalloway” by Virginia Woolf (Cambridge University Press, 2015)

“Mrs. Dalloway,” created from a series of short stories, is one of Woolf’s best-known novels. Thematically it conveys a rich and genuine humanity, while technically it showcases Woolf's use of interior perspective.

“The Brothers Karamazov” by Fyodor Dostoevsky, translated by Richard Pevear and Larissa Volokhonsky (Vintage Books, 1991)

This award-winning translation remains true to the verbal inventiveness of Dostoevsky’s prose, preserving the multiple voices, the humor, and the surprising modernity of the original.

“Under the Volcano” by Malcolm Lowry (Lippincott, 1965)

It is the fiesta “Day of the Dead” in the small Mexican town of Quauhnahuac. In the shadow of the volcano, Geoffrey Firmin — ex-consul, ex-husband, an alcoholic, and a ruined man — is living out the last day of his life.

“As I Lay Dying” by William Faulkner (Random House, 1957)

A true 20th-century classic from the Nobel Prize-winning author of “The Sound and the Fury”: the famed harrowing account of the Bundren family’s odyssey across the Mississippi countryside to bury Addie, their wife and mother.

Recommended by Josh Thorud, Multimedia Teaching & Learning Librarian 

Book covers for "Midnight in Chernobyl," “The Beatles: All These Years: Volume 1: Tune In,” Delta Blues," and “The Birth of Loud."

 

 

 

 

 

“Midnight in Chernobyl: The Untold Story of the World's Greatest Nuclear Disaster” by Adam Higginbotham (Simon & Schuster, 2019)

This book was eye-opening and deeply researched, clearly articulating how and why things went wrong with both the technology and the bureaucratic system that made it. It makes the people involved feel human rather than cardboard cutouts.

“Delta Blues: The Life and Times of the Mississippi Masters Who Revolutionized American Music” by Ted Gioia (W.W. Norton, 2008)

As a Delta Blues fan, I loved this book. It dives deep into the roots of Delta Blues and tells the stories of the musicians who innovated, recorded, or were inspired by it.

“The Beatles: All These Years: Volume 1: Tune In” by Mark Lewisohn (Crown Archetype, 2013)

For a Beatles fan, this book is a treasure. Lewisohn goes into amazing detail about the band’s early days and is compellingly written.

“The Birth of Loud: Leo Fender, Les Paul, and the Guitar-Pioneering Rivalry That Shaped Rock 'n' Roll” by Ian S. Port (Scribner, 2019)

A fascinating look at Leo Fender and Les Paul as they cross paths, innovate, and become rivals, greatly influencing the sound and technology of 20th-century music.

Recommended by Keith Weimer, Librarian for History and Religious Studies

Book covers for "River Spirit" and "Germany in the World."

 

 

 

 

 

“River Spirit” by Lela Aboulela (Grove Press, 2023)

Sudanese (and two European) characters react to the rise of the Mahdi, “the Expected One,” a figure who claimed to be Islam’s version of the end times Messiah and drove the British and Turks out of Sudan in the 1880s. Aboulela does a remarkable job of creating and developing multiple voices, and the novel could be used to teach this historical event.

“Germany in the World: A Global History, 1500-2000” by David Blackbourn (Liveright Publishing Corporation, 2023)

Historians have often regarded Germans as largely reacting to history that was made by Europeans to their west — at least until sometime in the 19th century. This work shows that Germans (there was no united “Germany” until 1871) were significant players in all European intellectual and commercial movements from the “Age of Discovery” onwards — movements that were influenced by and impacted people across the globe.